Monday, 11 April 2016

The Hardest Thing About Writing Is Showing Up For Work Every Day

“Modern Office Interiors And Cabins” by stockimages
As a writer, people often think I write all day every day.

But it's not true at all.

I usually work for between 3 and 4 hours a day, 4 days a week (sometimes 5 days, but mostly 4).

The reason for this is that it's difficult (at least for me) to be creative for a full day. Not only that but I also have other admin things to take care of every day too.

And I also have a life.

Years ago I thought that working such short hours made me lazy. But it turns out that most writers only write an hour or two or three every day.

It seems that we are all plagued by the same problems:

  • Lack of creative thinking for too long.
  • Showing up for "work" every day.

Indeed, showing up for work every day is the hardest because before I can do any creative work at all, I need to be sitting at my desk.

I don't always write at the same desk every day, but I have to sit down at one of them.

Some days I sit in my home study, or at a table out on our big deck (with great views), or a picnic table at a park, or a table in the local library.

I've even been known, on occasion, to sit in my car, under a shady tree and write there, which sometimes happens if I'm out and it starts raining or there are no tables available at the park.

It's easy to get to work every day when you have a "day job" and a boss who'll fire you if you don't turn up.

But it's completely different when you only have yourself to tell you when it's time to work and when it's time to stop for the day.

In his book "On Writing," horror author Stephen King said that your muse doesn't show up for work until you do. And that is so true.

I'm rarely dying to sit down and write every day, but once I sit down and get to work, my muse does indeed show up and I can keep going for ages.

But that initial sitting down is usually the hardest.

And next comes the struggle of being able to keep writing for too long.

There are some writers, although not many, who can sit and write all day every day, but these kind of writers are few and far between. Isaac Asimov, the sci-fi writer, was one such author who would just sit and write all day from early morning till late evening.

Today I was listening to a podcast of writer Geoff Goins who was interviewing another writer Austin Kleon. Austin was talking about this very subject of how difficult it is for most writers to actually sit down and write every day.

He also made the point that even once we sit down to write, after just a few hours, it's hard to keep going.

Even well-known authors like Stephen King admit that they only write for 1 to 3 hours a day and then they're finished.

And like me, they find it easier to write early in the day rather than later. Although, sometimes, if I'm in the middle of a big project and I want to keep working on it, I will sit down in the evening and work for a couple more hours if I can.

So while I do love being a writer and wouldn't want to do anything else, I find it easier to work for a few hours every day than to sit and write for one full day.

There are people who tell me that they don't have time to write because they have a full time job, but even if they didn't, they wouldn't spend all that time writing. None of us do.

And it's probably a good thing too because I find that my best ideas come when I'm away from my computer. Usually when I'm doing what I call "busy-hands-empt-mind" jobs like weeding, showering, cleaning, sweeping, walking. Those jobs where you're physically busy but you've done them so many times you don't have to think about what you're doing any more.

So don't let a day job hold you back from your writing because you don't need all day to write.

You just need an hour or two a day.



This is one of my favourite "how to write a novel" books because it's a complete step-by-step workbook.
Brilliant!
Click the image above to learn more.
This book will definitely help you to sit down every day and write.



Wednesday, 6 April 2016

Thinking and Thinking Then Changing What I Write About

Thinking Hard
The last few weeks I've been doing a lot of thinking about all the writing I do.

And thinking that much is SOOOO hard for me.

The reason for all the thinking is that I'm really not enjoying writing anymore.

Shock! Horror!

But how could that be? I just couldn't work it out.

I'm a writer.

I do a lot of writing.

So why wasn't I loving it anymore?

And then the reason came to me.

I'm not doing the kind of writing I like to do.

I'm bored with blogging and article writing which is what I do mostly because I have other websites in different subjects.

So I made an executive decision.

I'm closing down all my websites except this blog, writeaholics.net and my publishing website Cheriton House Publishing.

Everything else just has to go and some has already gone.

And I feel elated.

But...what am I going to do instead?

Well, I also thought about that a lot too and I finally realised that the kind of writing I enjoy the most is fiction writing.

So, apart from my two writing sites, I'm only going to be writing fiction.

I know that this is what I want to do because it makes me so happy to think about it.

I've been wondering what has been wrong with me for a while now (although some would say the there is plenty wrong with me) and I just couldn't understand why writing had become such a chore.

It was getting harder and harder to sit down and write every day, and I don't usually feel that way, but the last year or two (or longer if I'm honest), writing hasn't been my favourite occupation.

Then I had my Aha! moment and realised that I don't like blogging and writing articles all the time.

What I really want to do is write and publish fiction books and short fiction, which includes submitting stories to magazines.

I think that my epiphany came a couple of weeks ago when I had borrowed some magazines from the library and I was plotting and planning sending in article proposals to them all. I also created a list of fiction markets for this blog without even realising why I must have unconsciously done it.

And that's when it hit me.

I used to enjoy submitting to magazines but I was mostly sending in short stories (and getting them published) and it was all more fun then.

So that is what I'm going to be doing now, as well as writing novels.

So I will keep you updated as I go along and let you know what I'm doing and what is working for me and what isn't and hopefully I'll have more hits than misses with my new fiction writing career, and all my successes will inspire you to write more as well.

And if you fancy becoming a fiction writer too, here are a few places online where I've been looking  for fiction markets today:

JBWB Fiction Markets
http://www.jbwb.co.uk/markets.html

Show Me the $$$! Literary Magazines That Pay
http://thereviewreview.net/publishing-tips/show-me-literary-magazines-pay

esthernewtonblog. Markets For Freelancers
https://esthernewtonblog.wordpress.com/markets-for-freelancers/

that's life! Fast Fiction Guidelines
http://www.thatslife.com.au/fastfictionguidelines

The People’s Friend Guidelines
https://www.thepeoplesfriend.co.uk/guidelines/


Thursday, 31 March 2016

Making Money From Writing Fast

“Speedy Typing With Keyboard” by adams - earn money from your writing fast
Lately I've been delving into a bit of freelance writing for magazines.

I went to the local library, looked through a few magazines and found places to submit short fiction and article ideas (magazines usually only want an article outline to begin with but they want the complete fiction story upfront).

And I'd forgotten how much fun this can be. Browsing magazine articles and stories, looking up their submission guidelines online (gotta get it right or they're not interested), looking at what they're currently looking for and then planning my submission attack.

It was entertaining to see the  letters to the editor, for which some of the magazines pay quite a high price and some even offer a prize for each letter published and the prizes are worth several hundred dollars each.

I love sending in small letters like that (some as small as just a few words) because they pay so much for so little. There was one magazine that paid $100 for an amusing short submission and $150 if you included a photo. Yay!

I also found magazines looking for short tips and small articles of less than 500 words.

These are the types of freelance writing gigs that can pay out fast, and for not much work.

Another thing that's handy to do is look at how often the magazines are published. The weekly ones need much more content than their quarterly cousins. And they usually want less substantial information in their articles too which makes writing them so much easier and quicker.

Unlike book writing, freelance writing doesn't bring in an ongoing, passive income. But it is nice to have a cash boost (or several cash boosts depending on how many items you submit your work).

What I usually recommend if you want to earn money this way is to try and make 30 submissions in 30 days. You can then wait 30 days to see if you get any "bites" because if you do, you'll need the time to write the articles that the editors are interested in. But during the 30 days, you can be looking for more markets for your next 30 submissions.

If you want to find freelance writing markets, I have a whole list you can browse for free at http://writeaholics.net/writingmarkets.html.

You can also use the Writers & Artists Year Book to find thousands of writing markets. You can buy the book or read it at your local library.  It's usually in the reference section so you can't borrow it, or at least that's how it is at my library. It's such a thick book and contains a huge amount of markets, and it's all categorised so you can quickly search for whatever area of expertise you're in.

It also contains articles and how-to guidance on writing for newspapers, magazines, scripts for film, radio and TV, plus advice on writing and submitting plays, poetry, non-fiction and fiction of all genres. It's a book I usually buy every year because it's really worth the investment.

I am also a member of American Consumer Opinion website where I get paid to take surveys (you don't have to live in the USA to join). Not all of these survey companies are legitimate but so far (and I've been associated with them for several years now) this one is. You can also get asked to "test-drive" products for them too.

So if you're feeling inspired to write and you want to earn a bit of "quick cash" from your writing, freelance writing for magazines (and filling out surveys) may be just what you need.

I find that once I start looking, it really motivates me to write and start submitting.

And I hope it works that way for you too.



Quick Cash Writing CourseQuick Cash Writing



Wednesday, 23 March 2016

List of Fiction Writing Markets

Today I have a list of paying fiction writing markets.

So you can put your creative thinking cap on while you peruse this list, then start writing and submitting.

If you were to be successful with all your submissions, you could earn well over $10,000 for your efforts.

That's the beauty of being a writer. If you're successful with your freelance writing submissions and publishing, your earnings can be substantial.

And that's the best feeling in the world...to us writers at least. :)

Eureka Street Magazine
Eureka Street will consider unsolicited submissions of up to 800 words.
Articles should provide humane, ethical analysis or commentary on politics, religion, popular culture or current events in Australia or the world.
Payment: $200 per article, paid for exclusive first publication rights & $200 for first publication rights of short fiction and 'creative non-fiction' up to 1000 words. Eureka Street also accepts unsolicited POETRY submissions, which should be emailed directly to poetry@eurekastreet.com.au. Published poets receive a share of $50 allocated for poetry each week.
http://www.eurekastreet.com.au/article.aspx?aeid=33927#.VvIJ2WMbyoI

The Wrong Quartly
The Wrong Quarterly is a London-based literary magazine which celebrates new talent in fiction.
We accept fiction under 8,000 words, fully edited, and previously unpublished. We also accept non-fiction, life-writing, and essays of under 5,000 words.
Payment: Not specified.
http://www.thewrongquarterly.com/submissions/
See also
https://duotrope.com/listing/16268

OneStory. Inc
Submission period: September 1st — May 31st
One Story is seeking literary fiction. Because of our format, we can only accept stories between 3,000 and 8,000 words. They can be any style and on any subject as long as they are good. We are looking for stories that leave readers feeling satisfied and are strong enough to stand alone.
Payment: $500 and 25 contributors copies for First Serial North American rights.
http://www.one-story.com/index.php?page=submit&pubcode=os

Harlequin Romance Books
As the world's most prolific and recognized name in romance and women's fiction, Harlequin is actively looking for new works for all of its imprints. We are always on the lookout for talented writers—from established authors to those just starting their writing careers.
With more than 85 titles published each month over a wide range of genres, this imprint truly offers readers a romance for every mood and taste.
Payment: Advance plus royalties.
http://www.harlequin.com/articlepage.html?articleId=538&chapter=0

The New Yorker
Accepts mainstream fiction and humorous fiction in it's "Shout's and Murmurs" section.
Length is approximately 600 to 1,000 words.
They receive a lot of submissions so your work needs to be good.
Payment: unspecified but believed to be around $250 per story.
http://www.newyorker.com/about/contact

The ThreePenny Review
Looking for short stories of up to 4,000 words.
Submissions only through their online form or via snail mail.
Payment: $400 per story.
http://www.threepennyreview.com/submissions.html

The First Line
Fiction: All stories must be written with the first line provided.
The story should be between 300 and 5,000 words.
We are open to all genres. We try to make TFL as eclectic as possible.
Writers should include a two- to three-sentence biography of themselves that will appear in the magazine should their story run.
Payment: $25.00 - $50.00 for fiction
http://www.thefirstline.com/submission.htm

Daily Science Fiction
 Daily Science Fiction (DSF) is a market accepting speculative fiction stories from 100 to 1,500 words in length. By this we mean science fiction, fantasy, slipstream, etc.
Payment: 8 cents per word
http://dailysciencefiction.com/submit

Brevity
Brevity publishes well-known and emerging writers working in the extremely brief (750 words or less) essay form.
Payment: $45 honorarium for featured essays and craft essays.
http://brevitymag.com/submissions/

Grimdark Magazine (Australia)
We want dark settings, grey characters of both sexes, morally ambiguous decisions, and plenty of grit.
In a medieval fantasy or sci-fi setting.
Previously unpublished stories at a strict maximum of four thousand (4,000) words.
Reprints at a maximum of six thousand (6,000) words and not currently available for free online.
Payment:
Unpublished stories: AUD$0.07 per word.
Reprints: AUD$0.01 per word.
https://grimdarkmagazine.com/pages/submission-guidelines-for-grimdark-magazine